Hammer your chair to fit

Link (via Paper Magazine)
UPDATE: Here is a video of the chair being customized. Link
Post nabbed from BoingBoing.

Kage-e (”shadow pictures”) — a popular form of Edo-period woodblock print — were appreciated by children and adults and commonly used as party gags. These pictures consist of two parts: a “shadow” image and a “real” image. The shadow image, which typically bears the shape of a common, easily identifiable object, is viewed first. The real image, viewed second, reveals the surprising true identity of the shadow.
Here’s a nice example by ukiyoe master Kuniyoshi (ca. 1852). It shows what appear to be the silhouettes of goldfish…

But look again…

It’s a flying tanuki crushing a hunter under the weight of its mammoth testicles.
Here are a few more kage-e by Hiroshige (ca. 1842). The shadows cast on shoji doors belong to men in interesting poses.

Pine tree

Uguisu (Japanese bush warbler) on a plum branch

Salt-dried fish

Kettle

Hawk

Stone lantern

Goose on a rock

Link (via Make)
About 7 years ago I was reading an article on Claude Shannon and came across one of the funniest ideas I had ever heard. Claude, you see, was one of these incredibly brilliant engineers with an obviously great sense of humor. As I understand it, he, along with Marvin Minsky came up with an idea they called the "Ultimate Machine". Basically a plain box with a switch on the top. When you flip the switch, a hand comes out of the box and flips the switch off. Thats it.Well, after reading the article, and laughing out loud, I decided that I HAD to build one of these boxes.
Forget politicians in stab vests or footballers rapping against racism. This is how you fool the kids. Teach them about the careers ladders of today. All while they think they’re watching some sort of badass anime/manga.
NOTE: I hugely applaud this kind of marketing/packaging. If more people understood how to say things like this, a lot more people would listen.
Mr. Pink was also the author of the fine article on Manga in Wired last year. Check it out if you haven’t yet had a chance.
Johnny Bunko trailer from Daniel Pink on Vimeo.
Via TV in Japan - another place you should checkout frequently.

How annoying - they've gone and put a fence around the Tate Modern's shiny crack. Never one to pass up a cliche, I'll say it's political correctness gone maaaaaaad. Nanny state. Etc. etc.
'Joge-e, or “two-way pictures,” are a type of woodblock print that can be viewed either rightside-up or upside-down. Large numbers of these playful prints were produced for mass consumption in the 19th century, and they commonly featured bizarre faces of deities, monsters or historical figures (including some from China). Only a few examples of original joge-e survive today. Here are a few.

'This print by Kuniyoshi (c. 1852) depicts Hotei (Laughing Buddha) and Shoki (a character from the “Romance of the Three Kingdoms“). When viewed upside-down, Hotei becomes Asahina (a character from a popular novel of the time) and Shoki becomes Zhang Fei.


'This woodblock print was published by Ezakiya Tatsuzo (c. 1842). Left to right, top to bottom (upside-down image described in parentheses): 1. Small tengu (Gedo, an evil person), 2. King Zhou, Shang Dynasty (Guan Yu), 3. Wind god (Thunder), 4. Nyudo (Pair of frogs), 5. Tengu looking up (Tengu looking down), 6. Tofu Kozo (Mitsume Kozo), 7. Onamuchi-no-mikoto, Shinto god of nation-building, farming, business and medicine (Iruka-no-omi), 8. Cao Cao (Shoki, Zhang Fei), 9. Mikenja (Ghost of Mirin).


'This print by Kuniyoshi (c. 1852) shows a Daruma and Tokusakari (a character from a famous Noh play). Viewed upside-down, the Daruma becomes a Gedo (an evil person) and Tokusakari becomes Ikyu (a character from the famous play “Sukeroku”).


'Created by Yoshitora, 1861. Left column (top to bottom): 1. Fukusuke, god of merchant prosperity (Frog), 2. Evil man (Ebisu, god of fishermen and good luck), 3. Fukurokuju, god of wisdom and longevity (Tanuki, racoon dog with giant scrotum). Center: 4. Ikyu (Foreigner) , 5. Okame (Dekusuke), 6. Gedo, an evil person (Asahina). Right: 7. Hotei, Laughing Buddha (Yakko), 8. Earth god (Mountain god).


'Created by Yoshitora, 1862. Left column (top to bottom): 1. Tadafumi (Gedo, an evil person), 2. Hunter (Frog), 3. Small tengu (Big tengu), 4. Bad guy (Bad guy). Center: 5. Two-horned demon (One-horned demon), 6. Kasane, possessed female character in famous Kabuki play (Ugly man), 7. Daruma (Daruma). Right: 8. Foreigner (Ainu), 9. Nio guardian (A-un guardian).

[Images from: Edo no Asobi-e, Tokyo Shoseki, 1988 (out of print)]'

'That, as you might imagine, was just the tip of the iceberg.
'Bad Moon Rising takes you into the underbelly of the Religious Right. Which is surprisingly, scandalously entwined with Moon and his business empire--an untold chapter in American political history.'





In honor of St Paddy's day, here's a classic Muppet sketch -- a rendition of "Danny Boy," performed by Animal, the Swedish Chef, and Beaker on the high notes. I nearly wept. Link (via Boing Boing)





On Flickr I came across a character who calls himself Dunechaser. Aside from taking pictures of him and his pug, there's nothing he likes more than inventing Lego characters. As well as the X-Men and a series of Lord of the Rings characters, he and his buddies have also done Presidents of America, great philosophers (Bertrand Russell being a particular favourite), and authors (Ernest Hemingway anyone?). While he has yet to hit his stride recreating great figures of the Renaissance, this figure of Nelson Mandela totally rocks.
If you have five minutes, take some time to look at the rest of his Lego here. Duplo and Playmobil will never again shine quite so bright.

Very cool archive of old Citroen brochures from the 50’s, 60’s, 70’s and 80’s.
Via Aisleone, spotted by Bob at Friday Linkage.
"In the sophisticated popular culture of the Edo period (1603-1868), much attention was devoted to Japan’s rich pantheon of traditional monsters and apparitions, known as youkai. Sometimes frightening, sometimes humorous, these compelling Japanese folk creatures were the subject of numerous artistic and literary works. One such work was Hyakkai Zukkan, a collection of picture scrolls completed in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itchou (1702-1772). Hyakkai Zukkan’s colorful depictions of Japan’s most notorious creatures inspired (and were copied by) youkai artists for generations. Here is a peek inside.

Ushi-oni [Enlarge]
Ushi-oni (lit. “cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters of western Japan, particularly in Shimane prefecture, where it is feared for its vicious attacks on fishermen. [More]
Ushi-oni is usually seen in connection with a related monster, called Nure-onna.

Nure-onna
Nure-onna (lit. “wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. Her appearance varies slightly from story to story, but she is usually described as having beady, snake-like eyes and long, sharp claws and fangs. Nure-onna is typically seen at the water’s edge, washing her long, flowing hair. In some stories, she carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby for Nure-onna, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. In some stories, Nure-onna uses her long, powerful tongue to suck all the blood from her victim’s body. [More]

Uwan
In ancient Aomori prefecture legends, Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). The voice is only audible to people inside the building — those standing outside hear nothing. Uwan consists only of sound and poses no physical danger.
Ancient Japanese legends are rife with examples of formless youkai like Uwan, which consist of nothing but sound, light or other natural phenomena. In the Edo period, however, these youkai assumed physical bodies as artists incorporated them into their work.

Nurarihyon (left), Mehitotsubou (right)
Another youkai that got a facelift in the Edo period is Nurarihyon, pictured here as as a well-dressed old man with an elongated bald head. Ancient Okayama prefecture legends describe Nurarihyon (lit. “slippery strange”) as a marine creature found in the Seto Inland Sea, often seen bobbing around on the surface of the water like some sort of giant jellyfish or octopus. Nurarihyon eludes capture by diving underwater when people approach to investigate.
In the Edo period, Nurarihyon came to be known as a mysterious old man with the uncanny ability to sneak into homes and “take over.” When the residents of a home encounter him sitting around drinking tea, they are unable throw him out and cannot help but treat him as the head of the household. Nurarihyon is said to be a highly respected figure in the world of youkai.
Mehitotsubou (above right), a large monk with a cyclopean eye, is a variant of the large shape-shifting monks commonly found in Japanese folk tales.

Mikoshi-nyuudou
Another monster monk is Mikoshi-nyuudou (a.k.a. Miage-nyuudou), a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. Mikoshi-nyuudou grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, goes the legend, but say “mikoshita” (”I see higher”) and he disappears. Mikoshi-nyuudou’s true identity is unknown, but in some areas he is believed to be a shape-shifting weasel, fox or tanuki.

Yama-warau
Yama-warau (a.k.a. Yama-waro) are hairy, one-eyed Garappa (a variety of Kappa found in Kumamoto prefecture) who have gone into the mountains for the winter. These child-sized creatures are known to provide assistance to lumberjacks in the mountains, and they eagerly return again and again to help, as long as they are rewarded with liquor and rice balls.
Like other varieties of Kappa, Yama-warau are fond of playing tricks on people, and they enjoy sumo wrestling. They sometimes break into people’s homes to take a bath, and they have a sixth sense for danger, which allows them to escape from people with evil intentions.
At the spring equinox, Yama-warau return to the rivers to live as Garappa. They travel in groups, jumping from one rooftop to the next, all the way down to the water. If, along the way, they come across a new home under construction, they get angry and poke holes in the walls. Legend has it that anyone who goes to the river to catch a glimpse of a returning Yama-warau will become sick.

Inugami
An Inugami (lit. “dog god”) is a familiar spirit that looks like a dog and acts as a protective guardian. Inugami are extremely powerful and loyal, and they are known to carry out acts of revenge on behalf of their “owners.” They can also exist independently, and under some circumstances they may turn against their owners. Inugami also have the ability to possess humans. [More]

Ouni
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. According to an old Niigata prefecture legend, Ouni appeared one day to a group of women as they were spinning hemp into yarn. After accepting the hairy hag’s offer to help, the women watched in surprise as she repeatedly placed raw hemp fiber into her mouth and pulled out finished yarn. After quickly producing a large quantity in this way, Ouni stepped outside and suddenly disappeared. Legend has it that she left footprints in the nearby rocks, which can still be seen to this day.

Kami-kiri [Enlarge]
Kami-kiri (lit. “hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off, particularly when they are unknowingly engaged to marry a youkai, spirit or other supernatural creature posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. [More]
For more images from Hyakkai Zukkan, see the Sawaki Suushi collection at Wikipedia Commons."






The image of Han Solo encased in carbonite is so iconic, "Star Wars" geeks around the world have come up with myriad ways to recreate the moment. Go online and read about Han Solo in Chocolate Carbonite, Han Solo in Carbonite USB keys, and even recipes for Han Solo En-Queso'd in Carbonite (a cheese dish).